Sans Superellipse Usge 2 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Serpentine Stencil' by Apply Interactive, 'EF Serpentine Serif' by Elsner+Flake, 'Serpentine' and 'Serpentine Sans' by Image Club, and 'Serpentine' by Linotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, tech, industrial, sporty, modern, sturdy, impact, clarity, modernity, utility, squared, rounded, blocky, compact, high-impact.
A heavy, squared sans with rounded-rectangle (superellipse) construction and softened corners throughout. Strokes are broadly uniform with compact apertures and generous counters, producing a dense, punchy texture. Curves resolve into squarish bowls (notably in O, Q, and 0), while diagonals and joins are crisp and angular in letters like A, K, V, W, and X. Terminals are mostly straight and blunt, and the overall geometry favors stable, horizontal/vertical forms with controlled rounding rather than full circularity.
Best suited to headlines and short blocks of copy where its mass and geometric presence can carry the layout. It works well for branding and packaging that want a modern, engineered feel, and for signage or labels where bold forms and squarish counters help maintain clarity at a distance.
The font projects a confident, engineered tone—clean, tough, and contemporary. Its rounded-square shapes give it a friendly edge while still reading as technical and utilitarian, with an energetic feel that suits performance-oriented or equipment-driven contexts.
The design appears intended to deliver maximum impact with a clean, contemporary voice, using rounded-square geometry to balance toughness with approachability. Its consistent, superelliptical shaping suggests an emphasis on modularity and a cohesive, tech-forward identity.
Spacing appears intentionally roomy for a display cut, helping large text stay legible despite the tight apertures. Numerals follow the same rounded-rectangular logic, with the 0 especially squarish and the 8 built from stacked, rounded counters. The overall rhythm is consistent across caps, lowercase, and figures, reinforcing a cohesive, system-like aesthetic.