Sans Superellipse Gydam 14 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Bananku' by Umka Type (names referenced only for comparison).
Keywords: logotypes, posters, headlines, gaming ui, tech branding, futuristic, techno, industrial, bold, playful, display impact, futuristic tone, geometric consistency, logo utility, system aesthetic, rounded corners, square curves, geometric, compact, stencil-like.
A heavy, geometric sans built from rounded-rectangle and superellipse-like forms. Strokes are consistently thick with squared terminals softened by generous corner radii, creating a blocky silhouette that still feels smooth. Counters tend to be rectangular and compact, and several letters use simplified construction (for example, the lowercase “m” and “n” appear as arch-like shapes with internal vertical cuts), giving the design a modular, engineered rhythm. The overall spacing reads slightly tight and compact, emphasizing a solid, logo-ready texture in words and lines of text.
Best suited for display settings where its strong geometry can read cleanly at medium to large sizes: logotypes, posters, product branding, packaging, titles, and tech or gaming interface accents. It can work for short bursts of text such as labels or navigation, but its dense, stylized shapes are likely to feel heavy for long-form reading.
The face conveys a futuristic, techno tone with a slightly playful edge. Its softened square geometry feels like industrial signage or sci‑fi interface lettering—confident, modern, and intentionally stylized rather than neutral.
The design appears intended to deliver a cohesive, futuristic geometric voice by reducing letterforms to rounded-square modules and consistent thick strokes. The goal seems to be high impact and instant recognition, with a constructed, system-like aesthetic that stays uniform across caps, lowercase, and figures.
Distinctive idiosyncrasies—such as the angular joins in the “V” and “W,” the squared, inset counters in letters like “B” and “P,” and the simplified, segmented feel of some lowercase forms—push it toward display use. Numerals share the same rounded-rect logic, staying highly consistent with the caps’ squared curves.