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Free for Commercial Use

Sans Superellipse Hikin 11 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Morgan Poster' by Feliciano, 'Borough Hall JNL' by Jeff Levine, 'Horesport' by Mightyfire, 'Stallman Round' by Par Défaut, 'Propane' by SparkyType, and 'Emmentaler' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, branding, logos, packaging, techy, industrial, retro, futuristic, sporty, impact, compactness, tech feel, modularity, signage, squared, rounded, blocky, compact, stencil-like.


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This typeface uses compact, rounded-rectangle construction with heavy, even strokes and tightly managed counters. Curves are consistently softened into superellipse-like corners, while terminals often finish flat, producing a crisp, engineered silhouette. Many forms show deliberate cut-ins and interior notches that create a slightly modular, stencil-like rhythm, especially in letters with bowls and shoulders. Overall spacing reads tight and efficient, with tall vertical emphasis and simplified geometry that keeps the texture dense and uniform in setting.

Best suited to display roles where its dense geometry and distinctive cutout details can be appreciated: headlines, posters, product branding, packaging, and title treatments. It can also work well for short UI-style labels or signage-inspired graphics when a bold, technical presence is desired.

The tone feels technical and utilitarian, with a distinctly retro-futurist flavor reminiscent of industrial labeling and sci‑fi interfaces. Its chunky, squared rounding and mechanical cutouts give it a confident, no-nonsense voice that reads energetic and sporty rather than delicate or literary.

The design appears intended to deliver a compact, high-impact sans with superelliptical rounding and engineered detailing that stays consistent across the character set. The aim is legibility at display sizes while projecting a modern-industrial personality through simplified shapes and intentional interior breaks.

Round letters like O/C/G are built from squarish curves rather than true circles, which reinforces the compressed, modular feel. The design leans on strong verticals and restrained joins, maintaining consistent weight and edge softness across caps, lowercase, and numerals for a cohesive display texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸