Sans Other Syho 7 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: interface, headlines, signage, posters, tech branding, futuristic, technical, digital, sci-fi, minimal, sci-fi styling, systemic design, display impact, geometric clarity, geometric, squared, angular, modular, open counters.
A geometric, modular sans built from straight, monoline strokes with squared bowls and corners that read as softly squared rather than fully rounded. Curves are largely avoided, replaced by rectilinear outlines and occasional diagonal joins; several forms rely on open apertures and segmented strokes (notably in C, G, S, and some numerals), giving an engineered, schematic feel. Proportions are horizontally extended with generous internal space and a steady stroke rhythm, while terminals are clean and unadorned. The overall texture is airy and grid-like, with consistent construction logic across caps, lowercase, and figures.
Best suited to display roles where its geometric construction can be appreciated: UI titles, HUD-style graphics, futuristic or tech-themed branding, posters, album/film titling, and signage or wayfinding in contemporary contexts. It can also work for short technical labels and packaging callouts where a clean, schematic impression is desired.
The font conveys a futuristic, technical tone reminiscent of digital interfaces, labelling systems, and retro computer or sci‑fi display aesthetics. Its angular, modular shapes feel precise and machine-made, prioritizing structure over warmth.
The design appears intended to deliver a distinctive, grid-driven sans voice with a strong sci‑fi/tech character, using rectilinear, open constructions to create a lightweight, modern display texture while maintaining consistent, system-like letterbuilding across the set.
Lowercase and uppercase share a closely related construction, reinforcing a uniform, systemized voice. Diagonal strokes appear selectively (e.g., K, V, W, X, Y, Z), adding direction and energy without breaking the rectilinear theme. At smaller sizes the very thin, segmented details and open forms may visually simplify, while at larger sizes the geometry reads crisp and intentional.