Slab Square Peny 7 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, signage, techy, industrial, retro, utilitarian, futuristic, modular geometry, technical tone, signage clarity, retro-tech styling, squared, chamfered, blocky, geometric, stencil-like.
A squared, geometric slab-serif design with largely monoline strokes and broad, flat terminals. Corners are predominantly right-angled with occasional chamfered joins, producing an angular, engineered rhythm. Counters are rectangular to rounded-rectangle in feel, and curves (as in C, O, S) are built from softened corners rather than true continuous arcs. Serifs read as sturdy, block-like slabs that extend as short horizontal/vertical caps, keeping letterforms compact and mechanically consistent.
Best suited to display settings where its angular slab terminals and squared curves can read crisply: headlines, product marks, packaging, wayfinding, and tech/industrial themed graphics. It also works for short UI labels or overlays when a rugged, engineered voice is desired, though longer text will feel visually insistent.
The overall tone is technical and utilitarian, with a subtle retro-digital flavor. Its hard edges and modular construction suggest machinery, signage, and interface typography, while the softened squared corners keep it approachable rather than aggressive.
The font appears designed to translate slab-serif structure into a more modular, square-built system, emphasizing sturdy terminals and geometric counters. Its consistent stroke behavior and angular construction point to an intention of delivering a technical, sign-like presence that remains highly legible at display sizes.
Distinctive forms include a pointed, chevron-like construction on V and W, a single-storey a, and a single-storey g with a squared bowl and angular link. Numerals follow the same squared logic; the 0 is boxy with an inset counter, and 1 is a simple upright with slabbed foot. The design favors clear silhouettes and consistent terminal treatment over calligraphic contrast.