Sans Normal Jubid 2 is a bold, wide, medium contrast, italic, normal x-height font visually similar to 'Massilia' by Blaze Type, 'Singkey' by Din Studio, 'Altersan' by Eko Bimantara, 'Sceptica' by Glen Jan, and 'Famiar' by Mans Greback (names referenced only for comparison).
Keywords: headlines, posters, sportswear, branding, packaging, sporty, dynamic, confident, modern, punchy, impact, motion, clarity, brand voice, display emphasis, oblique, rounded, compact, solid, high-impact.
A heavy, oblique sans with broad proportions and rounded, geometric construction. Strokes are thick and consistent, with softened terminals and smooth curves that keep the texture even at display sizes. Counters are relatively open for the weight, and the slant is steady across letters and figures, producing a forward-leaning rhythm. Overall spacing reads generous and the letterforms favor simple, sturdy shapes over intricate detail.
Best suited for large-scale text where its weight and slant can do the work: headlines, posters, storefront graphics, and campaign banners. It also fits energetic brand systems—sports, fitness, streetwear, and bold product packaging—where a compact, high-contrast silhouette helps copy stand out. For long-form body text, it will be most effective in short bursts such as pull quotes, labels, or UI accents.
The font projects speed and assertiveness, with a friendly roundedness that keeps it approachable rather than aggressive. Its slanted stance and dense black color create a strong, energetic voice suited to attention-grabbing messaging. The tone feels contemporary and utilitarian, like branding meant to be seen quickly and remembered.
The design appears intended to deliver a fast, emphatic sans voice that remains clean and legible while leaning into motion. Rounded geometry and simplified shapes suggest a focus on clarity and contemporary branding, with the oblique angle used to add urgency and momentum without adding decorative complexity.
Round letters like O and Q appear smoothly elliptical, while diagonals in V/W/X and the angled joins in k/m/n emphasize the font’s forward motion. Numerals follow the same sturdy, simplified model, reading clearly in large settings with minimal ornament.