Sans Normal Uhlop 1 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Kandin' by Hashtag Type; 'JAF Bernini Sans' by Just Another Foundry; 'Interval Next' by Mostardesign; and 'Core Gothic N', 'Core Sans N', and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: ui text, branding, signage, headlines, posters, neutral, modern, clean, straightforward, functional, versatility, legibility, modern utility, clarity, geometric, rounded, open counters, balanced, even rhythm.
This typeface is a clean sans with predominantly circular and elliptical construction and smooth, continuous curves. Strokes are fairly uniform with subtle modulation, and terminals are mostly straight-cut, producing crisp joins and a steady typographic color. Proportions feel balanced and contemporary: capitals are broad and stable, lowercase forms are round and open, and counters stay clear in letters like a, e, o, and s. The overall rhythm is even, with simple, unembellished letterforms and consistent spacing that reads confidently in both the grid and paragraph sample.
It suits interface typography, product graphics, and general-purpose branding where clarity and a modern sans voice are needed. The steady weight and open shapes also make it a solid choice for short paragraphs, labels, and signage, while scaling up cleanly for headlines and poster-style settings.
The font conveys a neutral, modern tone that feels practical and dependable rather than expressive. Its rounded geometry and clean terminals give it a friendly clarity while still reading as professional and matter-of-fact.
The design appears intended as a versatile, modern workhorse sans that prioritizes clean geometry, consistent rhythm, and reliable legibility across display and text sizes.
Curved letters show smooth bowl transitions (notably in C, G, O, and e), while diagonals like V, W, X, and Y are sharp and direct, adding structure to the otherwise rounded palette. Numerals are clear and straightforward, matching the letterforms’ simple, contemporary geometry.