Sans Superellipse Figam 3 is a bold, wide, low contrast, italic, tall x-height font visually similar to 'Hando' by Eko Bimantara, 'Moderna' by Los Andes, 'Alfabet' by Machalski, and 'Amsi Grotesk' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, sporty, modern, confident, energetic, friendly, impact, approachability, motion, clarity, contemporary, oblique, rounded, boxy, compact, sturdy.
This is a heavy, right-leaning sans with rounded-rectangle geometry and smoothly softened corners. Strokes stay largely even with minimal modulation, producing a solid, blocky silhouette and high fill. The proportions read broad and stable, with a notably large x-height and relatively short extenders, which keeps lowercase forms compact and dense. Curves are built from superelliptical rounds rather than perfect circles, giving bowls and counters a slightly squarish, contemporary feel, while apertures and terminals remain clean and simplified for strong impact.
It performs best in short, high-impact settings such as headlines, posters, and bold brand statements where its slant and mass can carry the composition. The sturdy, rounded construction also suits packaging, sports-oriented graphics, and attention-grabbing signage where legibility and presence are priorities.
The overall tone is assertive and energetic, combining athletic forward motion from the slant with a friendly approachability from the rounded forms. It feels contemporary and pragmatic rather than delicate, with a punchy, headline-first personality.
The design appears intended to deliver a modern, high-energy sans that feels both powerful and approachable. By combining a strong oblique stance with rounded-rectangle construction and compact lowercase proportions, it aims for immediate visibility and a cohesive, contemporary voice in display typography.
Numerals and capitals are drawn to match the same sturdy, rounded-rect aesthetic, creating consistent texture across mixed settings. The italic angle is pronounced enough to add speed, but the forms remain stable and highly legible at display sizes due to the open interiors and strong stroke mass.