Sans Superellipse Figuh 14 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Geogrotesque Expanded Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'FF Good' by FontFont, 'Kommon Grotesk' by TypeK, and 'Manual' by TypeUnion (names referenced only for comparison).
Keywords: branding, logos, headlines, posters, packaging, sporty, futuristic, energetic, confident, techy, impact, speed, modernity, approachability, rounded, geometric, oblique, soft-cornered, chunky.
A heavy, oblique sans with broad proportions and a distinctly rounded-rectangle construction. Curves are drawn as squarish superellipse forms, giving counters and bowls a soft-cornered, capsule-like feel rather than true circles. Strokes remain largely uniform, with blunt terminals and compact joins that emphasize solidity and speed; diagonals and angled cuts add a streamlined rhythm. The overall fit is generous and the letterforms read as wide and stable, with clear, open apertures and simplified geometry.
Best suited to branding and logo work, bold headlines, and short display copy where the wide, slanted forms can project energy and modernity. It also fits packaging, sports or automotive-style graphics, and UI/marketing callouts that benefit from strong presence and rounded, contemporary geometry.
The tone feels fast and modern, combining a friendly softness from the rounded corners with an assertive, performance-oriented weight. Its slant and wide stance suggest motion and impact, lending a sporty, tech-forward voice that still remains approachable.
The design appears intended to merge geometric clarity with a softened, superellipse-based skeleton, delivering a contemporary display sans that communicates speed and strength without becoming harsh. The consistent oblique angle and rounded-rectangle structure suggest a focus on impact, recognizability, and a cohesive, system-like visual language across letters and numerals.
Round letters like O/Q and numerals show squarish counters and softened corners, reinforcing the superellipse motif across the set. The italics are more of a consistent oblique slant than calligraphic modulation, keeping the texture even in dense lines of text. In all caps, the forms look especially compact and logo-ready, while the lowercase maintains a sturdy, slightly compressed internal detail that favors display sizes.