Sans Normal Arbig 6 is a regular weight, wide, medium contrast, upright, normal x-height font visually similar to '1955' by Alan Smithee Studio, 'Shilia' by Linotype, 'Recht' by Mint Type, 'Neue Rational Standard' by René Bieder, 'Malnor Sans' by Sikifonts, 'Arbeit Pro' by Studio Few, and 'Nova Pro' by XdCreative (names referenced only for comparison).
Keywords: ui text, web content, editorial, presentations, branding, neutral, modern, clean, friendly, corporate, utility, legibility, neutrality, clarity, versatility, open apertures, generous counters, round terminals, balanced rhythm, plain forms.
A clean sans with open, rounded forms and a calm, even color on the page. Strokes stay consistent and relatively uniform, with smooth curves in C, G, O, and S and straightforward, squared joins in letters like M, N, and H. Counters are generous and apertures are open, helping maintain clarity in text. The lowercase shows a simple, readable structure with a double-storey a, a single-storey g, and compact, tidy punctuation-like details (round i/j dots), while the numerals are clear and proportionally aligned with the text rhythm.
It works well for interface copy, web and app typography, and general-purpose editorial text where clean rendering and quick scanning matter. The steady proportions and open shapes also suit presentations, wayfinding-style informational layouts, and straightforward brand systems that need a modern, unobtrusive sans.
The overall tone is neutral and contemporary, projecting clarity and approachability rather than strong stylistic character. Its rounded geometry reads friendly and practical, giving it a steady, dependable voice suited to everyday communication.
The design appears intended as a versatile, legibility-first sans that stays visually quiet while maintaining a friendly, contemporary presence. Its rounded construction and open counters suggest an aim for clear reading in both display sizes and continuous text.
The forms emphasize legibility through simple construction, wide internal space, and minimal eccentricities. Curves and verticals feel optically balanced, producing a consistent texture in longer paragraphs and a crisp silhouette in larger sizes.