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Serif Normal Orpy 5 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Concorde' by Berthold, 'Mafra Deck Condensed' by Monotype, and 'Evans' by Zetafonts (names referenced only for comparison).

Keywords: headlines, editorial, posters, book covers, packaging, authoritative, classic, formal, dramatic, impact, tradition, authority, bracketed, ball terminals, teardrop terminals, vertical stress, crisp serifs.


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A robust serif with pronounced thick–thin modulation and a strong vertical rhythm. Strokes are weighty and confident, with sharply cut, bracketed serifs and tapered joins that create crisp internal counters. Terminals often finish in teardrop or ball-like forms (notably in figures and several lowercase letters), adding a slightly calligraphic flavor within an otherwise structured, upright build. Proportions feel traditional, with compact counters and a steady baseline presence; numerals and capitals appear especially dense and headline-ready.

Best suited to headlines and display typography where its strong contrast and substantial weight can shine without filling in. It works well for editorial branding, book and magazine covers, posters, and packaging that needs a classic, authoritative voice. For longer passages, it will typically perform better at comfortable sizes with ample leading to preserve counter clarity.

The tone is assertive and traditional, projecting authority and formality with a touch of old-style warmth. Its high-contrast shapes and sculpted terminals give it a dramatic, editorial character that reads as premium and established rather than casual or minimal.

The design appears intended to deliver a classic serif voice with heightened impact: familiar, bookish proportions reinforced by bold weight, sharp serifs, and expressive terminal details. It aims to balance conventional readability with a more dramatic, attention-getting presence for titles and prominent text.

In the text sample, the heavy weight and tight interior spaces create strong word shapes and high impact at larger sizes. The distinctive terminal treatment and energetic diagonals (e.g., in K, V, W, X) add visual personality, while the overall construction stays consistent and conventional enough for structured layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸