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Free for Commercial Use

Sans Superellipse Madib 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Muller Next' by Fontfabric, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Greater Neue' and 'Greater Neue Condensed' by NicolassFonts, and 'Herokid' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, kids media, playful, friendly, chunky, retro, toylike, display impact, approachability, retro fun, brand character, signage clarity, rounded, blobby, soft corners, bulky, compact.


Free for commercial use
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A heavy, rounded sans with superellipse-like construction: broad strokes, softened corners, and squared-off curves that feel like rounded rectangles. Letterforms are compact and sturdy, with generous internal counters and minimal contrast, producing a uniform, poster-like texture. Terminals are consistently blunted, and the overall rhythm is blocky but smooth, with slightly irregular, hand-cut energy in some joins and curves. Numerals and capitals match the same inflated, solid silhouette for a cohesive display presence.

Best suited to short, high-impact text such as headlines, poster titles, logos, and packaging where its chunky silhouettes can shine. It also fits playful editorial callouts, event graphics, and youth-oriented or nostalgic branding, especially when set large with comfortable tracking and leading.

The font conveys a warm, approachable tone with a bold, cartoonish confidence. Its soft, cushiony shapes suggest fun and informality, leaning toward retro signage and playful branding rather than strict modernist neutrality.

The design appears intended as a friendly display sans that prioritizes bold presence and soft geometry. Its superellipse-driven forms aim for maximum visual immediacy and a fun, approachable personality across letters and numerals.

The dense weight and rounded geometry create strong impact at large sizes, while the tight apertures and compact proportions can make longer passages feel heavy. The design reads best when given ample spacing and contrast against the background.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸