Sans Superellipse Logeb 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Conthey' by ROHH (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, retro, friendly, industrial, playful, utilitarian, compact impact, softened geometry, signage clarity, retro-modern voice, geometric consistency, rounded, condensed, pill-shaped, soft corners, geometric.
A condensed, monoline sans built from rounded-rectangle and superellipse forms. Strokes stay even throughout, with generously softened corners and mostly closed terminals, giving many letters a pill-like silhouette. The proportions are tall and narrow with compact bowls and counters, producing a steady vertical rhythm; round letters (O, C, G) read as squarish ovals rather than true circles. Numerals echo the same rounded geometry, and the punctuation/dots appear circular and clean, reinforcing the consistent, engineered construction.
Well-suited to short display settings such as headlines, posters, packaging, labels, and brand marks where its condensed, rounded geometry can create a strong, memorable silhouette. It can also work for signage-style applications and UI or product labeling when set at larger sizes with generous spacing to preserve counter clarity.
The overall tone is modern and approachable, with a subtle retro-tech feel reminiscent of signage, labeling, and mid-century industrial graphics. Rounded corners keep it friendly, while the condensed build and rigid geometry add a functional, streamlined character. It can feel playful in headlines, yet remains straightforward enough for utilitarian display use.
The design appears intended to deliver a compact, high-impact sans with a softened, superelliptical geometry—balancing an industrial, constructed feel with approachable roundedness. Its consistent stroke and repeated pill-shaped motifs suggest a focus on uniformity, clarity, and a distinctive retro-modern texture in display typography.
Distinctive letterforms include a rounded, squared-off O and Q with a small tail, a compact, open lowercase a, and a simple single-storey g, all contributing to a cohesive geometric voice. The narrow widths and tight internal spaces make it read best when given comfortable tracking and ample size, where the rounded counters and consistent stroke can stay clear.