Hollow Other Siti 2 is a light, very wide, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, album art, playful, retro, graphic, quirky, bold-accented, expressiveness, novelty, visual texture, display impact, outline, inline, cutout, display, geometric.
A display face built from thin, monoline outlines with frequent internal knockouts and spot fills that create a hollow/inline effect. The proportions are generously wide with a steady, upright stance and mostly geometric construction—round counters in O/C/G and squared terminals on E/F/L/T—punctuated by irregular cut-ins and wedge-like gaps. Stroke behavior is defined less by weight than by negative space: many glyphs carry offset inner contours or carved shapes that shift the visual center and add a poster-like rhythm. Curves are smooth and circular, while diagonals (V/W/X/Y) feel sharply faceted, reinforcing a crisp, high-contrast silhouette between outline and fill.
Best suited for headlines, posters, branding marks, and packaging where the hollow/knockout detailing can be appreciated. It also works well for album art, event graphics, and short punchy copy that benefits from an illustrative, high-impact texture.
The overall tone is playful and attention-grabbing, with a retro sign-painting and cut-paper sensibility. The alternating hollow and filled details add a whimsical, slightly mischievous character that reads as graphic and experimental rather than neutral.
The design appears intended to translate an outline display skeleton into a more expressive system using carved counters, inlines, and selective fills to create motion and emphasis without increasing stroke weight. The irregular internal shapes suggest a deliberate, handcrafted cutout aesthetic aimed at distinctive, graphic typography.
In text settings the cutouts create lively texture and strong figure/ground contrast, but the many internal interruptions can make small sizes feel busy. Numerals and round letters (0/6/8/9, O/Q) lean into bold interior fills, giving headings and short phrases strong focal points.