Sans Superellipse Pinal 2 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Tungsten' by Hoefler & Co., 'Brochure Sans JNL' and 'Message Stencil JNL' by Jeff Levine, 'Milky Bar' by Malgorzata Bartosik, 'Monopol' by Suitcase Type Foundry, 'Heroic Condensed' by TypeTrust, and 'Ggx89' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, condensed, athletic, authoritative, retro, space saving, high impact, signage clarity, modular geometry, branding, blocky, compact, high-contrast counter, squared rounding, vertical stress.
A compact, condensed sans with heavy, uniform strokes and rounded-rectangle (superellipse) construction throughout. Curves are tightly controlled and corners are softly squared, producing a blocky silhouette with clean internal counters. The proportions are tall and vertical, with short crossbars and minimal overshoot, giving the design a rigid, engineered rhythm. Uppercase and lowercase share a strongly aligned, columnar feel, and numerals follow the same condensed, built-from-straight-and-rounded modules logic.
Best suited to short, high-impact settings such as headlines, posters, sports or team-style branding, and bold labels on packaging. It can also work for wayfinding or signage where narrow widths are needed, while its dense color suggests using larger sizes for comfortable reading.
The overall tone is bold and utilitarian, evoking industrial signage and athletic or team-mark typography. Its narrow, high-impact forms feel assertive and efficient, with a slightly retro, poster-like presence that reads as confident and no-nonsense.
The design appears intended to maximize impact and space efficiency by combining condensed proportions with a sturdy, monoline build and superellipse geometry. It prioritizes a strong, consistent texture and a modern-industrial voice over softness or calligraphic nuance.
Spacing appears tuned for display: the dense letterforms create strong vertical texture and a continuous dark color in words. Round letters like O and Q read as rounded rectangles rather than true ovals, reinforcing the mechanical, modular character.