Sans Superellipse Esmul 4 is a regular weight, normal width, low contrast, italic, normal x-height font.
Keywords: user interfaces, app branding, headlines, signage, sports branding, dynamic, sleek, modern, sporty, efficient, contemporary ui, forward motion, geometric clarity, brand distinctiveness, oblique, monoline, rounded corners, techy, compact.
A clean oblique sans with monoline strokes and softly squared, superelliptical curves that keep rounds feeling controlled rather than fully circular. Terminals are generally blunt with gentle rounding, and counters read open and even, giving the design a tidy, engineered rhythm. The capitals are straightforward and slightly condensed in feel, while the lowercase shows a utilitarian construction with a single-story “a” and “g” that echo the same rounded-rectangle logic. Numerals follow the same smooth, slightly squared shaping, staying consistent with the overall geometry.
This font performs best in UI labels, navigation, and product surfaces where a clear, modern oblique voice is desired. It also suits headlines, posters, and signage that benefit from a sense of motion and a clean, tech-forward silhouette. For longer reading, it will work most comfortably at moderate sizes with generous line spacing to balance the continuous slant.
The overall tone is contemporary and purposeful, with an energetic forward lean that suggests motion and efficiency. Its rounded-rect geometry adds a friendly edge without becoming playful, keeping the voice more technical than casual. The result feels well-suited to modern interfaces and performance-oriented branding.
The design appears intended to merge a pragmatic sans structure with superelliptical rounding and a consistent oblique stance, creating a modern, fast-looking texture. It prioritizes uniformity and a controlled geometry to deliver a contemporary, interface-friendly feel while still standing out in branding contexts.
The slant is consistent across cases and figures, and the forms maintain a steady cadence with minimal embellishment. Curves tend to “square off” subtly at the extremes, reinforcing a UI/industrial sensibility and helping the design stay crisp at display sizes.