Sans Other Lomur 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Heavitas Neue' by Graphite, 'Hitec JM' by Joelmaker, and 'Dress Code' by Larin Type Co (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, kids content, playful, friendly, chunky, quirky, retro, attention, approachability, distinctiveness, display impact, brand voice, rounded, soft corners, cut-in terminals, high contrast counters, compact.
A heavy, monoline sans with compact proportions and softened geometry. Strokes are thick and fairly uniform, while corners and joins are subtly rounded or eased rather than sharply mechanical. Many terminals show distinctive angled cut-ins or wedge-like notches, giving the outlines a slightly carved, hand-shaped feel. Counters tend to be generous and round, and overall spacing reads sturdy and blocky, with lively width variation across characters that keeps the texture from feeling rigid.
Best suited for display use such as headlines, posters, packaging, and brand marks where its chunky friendliness can carry the design. It can also work for short UI labels, stickers, and social graphics, especially when a playful, characterful sans is desired. For longer text, it will be most comfortable at larger sizes due to its heavy color and strong personality.
The letterforms feel upbeat and approachable, with a mildly eccentric, cartoon-adjacent energy. The chunky weight and rounded shaping create warmth, while the chiseled terminal details add character and a touch of retro display flair. Overall it projects a fun, informal tone that still stays clear and readable at headline sizes.
The design appears intended to deliver a bold, approachable sans voice with memorable carved terminals that differentiate it from standard geometric or grotesque constructions. It aims for instant impact and a friendly presence, balancing simplified shapes with enough idiosyncratic detail to feel branded.
The distinctive terminal shaping is a defining feature: it adds visual rhythm across the alphabet and makes repeated vertical strokes (as in m/n/u) feel intentionally sculpted. Numerals match the same chunky construction and remain highly legible, suited to attention-grabbing settings.