Sans Other Lomur 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Hanley Pro' by District 62 Studio, 'Flink Neue' by Identity Letters, and 'Averta PE' and 'Averta Standard PE' by Intelligent Design (names referenced only for comparison).
Keywords: posters, headlines, packaging, brand marks, kids media, playful, chunky, quirky, retro, cartoonish, attention grabbing, friendly tone, craft feel, retro display, faceted, angular corners, cut-in terminals, soft geometry, irregular rhythm.
A heavy, geometric sans with monoline strokes and a slightly irregular, hand-cut feel. Curves are built from broad arcs that often break into faceted edges, with angled cuts at terminals and corners that create a subtly notched silhouette. Counters tend toward round or rounded-rectangular shapes, while joins and diagonals stay sturdy and simple, producing compact, blocky letterforms. The overall spacing and widths vary a bit from glyph to glyph, reinforcing an informal, constructed look rather than strict mechanical uniformity.
Best suited for display work where its bold, faceted shapes can be appreciated—posters, headlines, packaging, event graphics, and logo wordmarks. It also fits playful editorial callouts and short UI labels where a friendly, informal voice is desired, while long passages may feel visually busy due to the chunky rhythm and irregularities.
The face reads friendly and characterful, like cut paper or carved signage rendered in a modern, simplified way. Its chunky forms and faceted details give it a humorous, upbeat tone with a light retro flavor, suited to attention-getting display rather than reserved corporate messaging.
The design appears intended to provide a distinctive sans display voice that feels crafted and approachable. By combining simple monoline geometry with faceted cuts and slightly uneven widths, it aims to stand out in branding and promotional contexts while maintaining clear, high-impact silhouettes.
Distinctive angled cut-ins appear on several glyphs (notably in curved letters and at some stroke ends), adding texture without introducing true serif structures. The numerals match the same chunky, faceted construction, keeping the set visually consistent in headlines and short phrases.