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Free for Commercial Use

Sans Faceted Ufre 5 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Ft Zeux' by Fateh.Lab, 'MNSTR' by Gaslight, 'Refinery' by Kimmy Design, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, labels, sporty, industrial, commanding, retro, impact, ruggedness, geometric uniformity, display emphasis, octagonal, angular, chamfered, blocky, condensed caps.


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A heavy, block-built sans with faceted, chamfered corners that replace curves with planar cuts. Strokes are uniformly thick with minimal contrast, creating a dense, poster-like color on the page. The uppercase set is compact and rectangular with octagonal silhouettes, while the lowercase echoes the same geometry with simplified, sturdy forms and a relatively large x-height. Counters are tight and often squared-off, and the numerals follow the same clipped-corner construction for a cohesive, stenciled-signage feel without actual breaks.

Best suited for short, high-impact text such as headlines, posters, sports and event branding, and bold packaging or label copy. It can also work for signage-style applications where a rugged, geometric voice is desired, but is less ideal for long-form reading due to its dense counters and forceful weight.

The overall tone is assertive and utilitarian, with a sporty, team-graphics energy and a hard-edged industrial edge. Its angular rhythm reads as bold and no-nonsense, evoking scoreboards, equipment markings, and retro poster headlines.

The design appears intended to deliver maximum impact with a consistent, angular construction that feels machined and architectural. By standardizing chamfered corners across the character set, it aims for a recognizable, emblematic look that holds up in large-scale display settings.

The faceting is consistent across rounds (O, C, G, 0, 8, 9), giving the face a distinctive octagonal signature. At smaller sizes the tight apertures and dense interiors can reduce clarity, while at display sizes the geometry becomes a strong stylistic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸