Sans Superellipse Tibuz 3 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Alternate Gothic' by Bitstream, 'Bellfort' by GRIN3 (Nowak), 'Alternate Gothic' by Linotype, 'Alternate Gothic Pro' by SoftMaker, and 'Alternate Gothic' by Tilde (names referenced only for comparison).
Keywords: posters, headlines, packaging, labels, signage, industrial, condensed, stamped, rugged, utilitarian, space saving, high impact, industrial feel, stamp effect, geometric voice, blunt, blocky, rounded corners, ink-trap-like, textured.
A condensed, heavy sans with rounded-rectangle construction and softly blunted corners. Strokes are broadly uniform with minimal contrast, and many joins and terminals show slight irregularities that read like ink spread or stamped impression. Counters are compact and often squarish, with small apertures that reinforce a dense texture. The lowercase has a tall x-height with short extenders, and the overall rhythm is tight and upright, producing a compact, vertical color in lines of text.
Well suited to short, high-impact settings such as posters, headlines, packaging panels, labels, and utilitarian signage where compact width and strong presence are beneficial. The dense texture can work especially well in branding systems aiming for an industrial or stamped look, while longer text may require generous size and leading to maintain clarity.
The font projects an industrial, no-nonsense tone—part label maker, part rubber stamp. Its slight roughness adds a handmade, workwear character while keeping the forms straightforward and modern. The condensed posture and dense counters give it a forceful, directive presence.
Likely designed to deliver maximum impact in narrow space with a straightforward, rounded-rect geometric voice. The slight texture suggests an intent to evoke printed ephemera—stamps, tags, or workmanlike labeling—without leaving the sans genre.
Spacing appears intentionally tight, and the condensed proportions amplify the dark typographic color in paragraphs. The rounded rectangular skeleton keeps curves controlled and geometric rather than calligraphic, while small inconsistencies at edges prevent it from feeling overly sterile.