Sans Superellipse Abduh 6 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Resolve Sans' by Fenotype, 'PF Das Grotesk Pro' by Parachute, 'Boxed' and 'Boxed Round' by Tipo Pèpel, and 'Carnova' by Typotheticals (names referenced only for comparison).
Keywords: ui, branding, signage, headlines, packaging, clean, neutral, modern, friendly, pragmatic, clarity, modernization, approachability, geometric consistency, rounded corners, open apertures, even rhythm, geometric, compact curves.
A clean sans with subtly squared, superellipse-driven curves and consistently rounded corners. Strokes are monolinear and steady, producing an even color on the page with little visible modulation. Round letters like O/C/G lean toward rounded-rectangle geometry rather than perfect circles, while straight-sided forms (H, N, E) stay crisp and orthogonal. Counters are generally open and generous, terminals are mostly straight or softly rounded, and the lowercase shows a compact, contemporary construction with a single-storey g and a simple, readable a. Numerals are straightforward and lining in feel, matching the same geometric, rounded-corner logic.
Well-suited to interface typography, product and corporate branding, and wayfinding where clean geometry and rounded forms support quick recognition. It also performs nicely for headlines and short blocks of copy that benefit from a stable, modern sans tone.
The overall tone is modern and matter-of-fact, with a mild friendliness coming from the softened corners and rounded-rectangle bowls. It reads as practical and approachable rather than technical or ornamental, aiming for clarity and calm visual consistency.
The letterforms appear designed to deliver a contemporary geometric voice with softened, rounded-rectangle curves—balancing crisp structure with a friendlier finish. The emphasis is on consistent rhythm, straightforward shapes, and legibility across common display and text settings.
The design maintains a tight, orderly rhythm with minimal quirks, making it feel system-like and dependable. Diagonal letters (V, W, X, Y) are sturdy and balanced, and the punctuation and spacing in the sample text suggest a focus on clear word shapes and steady texture at display-to-text sizes.