Sans Superellipse Jeho 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Mind The Caps' by Shaped Fonts, 'CFB1 Captain Narrow' by The Fontry, and 'Policia Secreta' by Woodcutter (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, stickers/labels, playful, retro, punchy, quirky, cartoonish, impact, fun, handmade feel, display clarity, blocky, rounded, condensed, bouncy, irregular.
A heavy, compact sans with rounded-rectangle construction and softly bulging sides that create a slightly wavy silhouette. Strokes are thick and largely uniform, with tight internal counters and squarish bowls, giving letters a stamped, cut-out feel. Curves tend to resolve into flattened arcs rather than true circles, and many joins look subtly pinched or tapered, adding an intentionally uneven rhythm. Numerals and capitals read as tall, poster-like blocks, while the lowercase stays broad and open enough to remain legible at display sizes.
Best suited to short, high-impact copy such as posters, headlines, and event graphics where the chunky forms can dominate the page. It also fits branding applications that want a playful, retro-leaning voice—packaging, labels, and logo wordmarks—especially when used with generous tracking and simple layouts. For longer passages, it works more as an accent font than a primary text face.
The overall tone is bold and mischievous, with a vintage sign-painting and comic-display energy. Its deliberate wobble and chunky massing feel informal and attention-seeking, more fun than refined. The shapes suggest handmade personality without becoming chaotic, keeping an approachable, friendly presence.
The design appears intended to deliver maximum visual impact with a friendly, hand-cut display personality, using rounded-rect geometry and slight irregularity to avoid a sterile, purely geometric feel. It prioritizes silhouette clarity and bold texture for attention-grabbing typography in casual, expressive contexts.
Spacing appears relatively tight and the heavy weight makes counters fill in quickly, especially in dense text. The silhouette-driven design means it performs best when given room and size; at smaller settings the interior detail and narrow apertures can start to merge. The punctuation and figures match the same blocky, rounded-rect logic, reinforcing a consistent texture in headlines.