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Free for Commercial Use

Sans Superellipse Oslav 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Geogrotesque Sharp' by Emtype Foundry, 'FS Industrie' by Fontsmith, 'Mazot' by Hurufatfont, 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype, and 'Gineso' by insigne (names referenced only for comparison).

Keywords: headlines, posters, branding, ui labels, packaging, modern, confident, friendly, utilitarian, punchy, impact, modernize, soften geometry, maximize presence, systematic, rounded corners, squared rounds, closed apertures, compact, high impact.


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A heavy sans with squared, superellipse-like curves and noticeably rounded corners throughout. Letterforms are compact and sturdy, with broad strokes, minimal contrast, and largely closed apertures that create dense counters (especially in C, S, and e). Geometry leans toward rounded rectangles rather than perfect circles, giving bowls and shoulders a slightly squarish, engineered feel. Terminals are mostly blunt, joins are firm, and spacing appears tight-to-moderate, producing a solid, blocky rhythm in words and lines.

Works best for headlines, posters, signage-style messaging, and branding where strong presence is desired. It can also serve well in UI labels, buttons, and short product or section titles, especially when a modern, robust voice is needed. For longer text, larger sizes and generous line spacing will help preserve readability given the dense counters and closed apertures.

The overall tone is modern and assertive while still approachable due to the softened corners. It reads as practical and straightforward, with a contemporary, tech-leaning cleanliness rather than a playful or decorative voice. The weight and compactness add urgency and emphasis, making the font feel confident and attention-grabbing.

Likely designed to deliver a compact, contemporary sans with softened geometry—combining the efficiency of squared forms with rounded corners for a friendlier, more tactile feel. The emphasis appears to be on impact and clarity at display sizes while maintaining a consistent, systematic construction across letters and numerals.

Uppercase shapes are simple and highly uniform, while lowercase forms remain similarly compact with short extenders and dense interiors. Numerals follow the same squared-rounded logic, with clear, robust silhouettes suited to prominent display. The combination of tight apertures and heavy strokes suggests it will prefer larger sizes or high-contrast settings to maintain interior clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸