Sans Superellipse Ibgej 7 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'OL Newsbytes' by Dennis Ortiz-Lopez, 'Akkordeon' by Emtype Foundry, 'PODIUM Soft' by Machalski, 'Cimo' by Monotype, 'Pandora' by URW Type Foundry, and 'Herokid' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, industrial, assertive, sporty, poster-ready, retro, maximize impact, save space, display emphasis, strong branding, condensed, blocky, rounded corners, high impact, compact counters.
A compact, heavy display sans with a condensed footprint and rounded-rectangle construction. Strokes are thick and fairly uniform, with softly rounded corners that keep the geometry friendly despite the mass. Counters are tight and simplified, and curves resolve into squared-off bowls and terminals rather than true circles, creating a sturdy, engineered rhythm. The lowercase maintains a tall profile with short ascenders/descenders relative to the overall height, and the figures follow the same chunky, compact logic for a consistent color in text.
Best suited to headlines, posters, and prominent labels where maximum impact is needed in limited horizontal space. It can work well for brand marks, packaging callouts, event graphics, and sports or industrial-themed identities. For longer passages, it performs most reliably as short bursts—subheads, captions, or punchy statements—rather than extended body copy.
The overall tone is forceful and punchy, projecting confidence and urgency. Its squared curves and dense spacing give it a utilitarian, industrial feel, while the rounded corners add a slightly retro, athletic warmth. The texture reads loud and attention-grabbing, suited to messages that need to land quickly.
The design appears intended to deliver a loud, compact display voice built from sturdy, rounded-rectilinear forms. It prioritizes presence and space efficiency, aiming for a modern utilitarian look that still feels approachable through softened corners.
At larger sizes the design’s rounded-rectangle logic becomes a defining feature, with particularly tight internal spaces in letters like a/e/s and in several numerals. The condensed proportions help long words stay compact, but the heavy weight and tight counters suggest giving it breathing room in tracking and line spacing for best clarity.