Font Hero

Free for Commercial Use

Sans Normal Nureb 2 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Contempo Gothic' by Arkitype, 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Canaro' by René Bieder, and 'Manifestor' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, branding, playful, retro, punchy, friendly, techy, impact, display, approachability, clarity, geometric, rounded, blocky, compact, sturdy.


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A heavy, geometric sans with large, rounded counters and a squared-off, almost modular construction. Strokes stay consistently thick, while corners alternate between crisp cuts and softened curves, creating a chunky, machined look. The letterforms are broad with generous internal space, and several shapes lean on simplified bowls and straight terminals, producing strong silhouette clarity at large sizes. Numerals and lowercase follow the same robust, rounded-square logic, with minimal contrast and a tightly controlled, uniform rhythm.

Best suited to headlines, posters, and large-format graphics where its thick strokes and rounded geometry can carry visual impact. It can work well for branding, packaging, and logo wordmarks that need a sturdy, approachable presence. For longer passages, it will be most effective in short bursts—pull quotes, labels, and UI hero text—where the weight can function as a deliberate stylistic statement.

The overall tone feels playful and assertive, mixing retro sign-painting heft with a contemporary, game-like blockiness. Its rounded geometry keeps it friendly, while the extreme weight and simplified forms make it feel punchy and attention-grabbing. The vibe suggests bold display messaging rather than quiet, editorial typography.

The design intent appears to be a high-impact display sans that remains approachable through rounded, geometric construction. It prioritizes bold legibility and a distinctive, blocky texture for attention-heavy contexts, balancing hard cuts with soft curves to keep the tone friendly rather than aggressive.

Spacing appears intentionally open for such a heavy style, helping counters stay readable. The design emphasizes strong, easily recognizable shapes over delicate detailing, and the punctuation in the sample text reads as equally bold and graphic, reinforcing a headline-first personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸