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Free for Commercial Use

Slab Square Tosa 6 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gimbal Egyptian' by AVP, 'FF Milo Slab' by FontFont, 'Brix Slab' by HVD Fonts, 'TheSerif' by LucasFonts, 'Modum' by The Northern Block, and 'Kheops' by Tipo Pèpel (names referenced only for comparison).

Keywords: sports branding, headlines, posters, packaging, signage, athletic, retro, assertive, american, punchy, impact, momentum, branding, display, legibility, slab serif, blocky, wedge serif, bracketed, compact joints.


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A heavy, right-leaning slab serif with compact proportions and chunky, squared-off detailing. Strokes stay largely even in weight, with broad slab-like serifs and flattened terminals that give the letters a block-built silhouette. Curves are slightly squared and robust, apertures are relatively tight, and the overall rhythm is dense and high-impact. The italic angle is pronounced, but the construction remains sturdy and upright in feel rather than calligraphic.

Best suited for short, high-contrast applications where impact matters: sports identities, event posters, bold editorial headlines, product packaging, and storefront or wayfinding signage. It can also work for logos and lockups that need a condensed, muscular italic voice, but its dense shapes suggest using it at larger sizes rather than long reading text.

The tone is bold and energetic, leaning toward sporty, collegiate, and mid-century Americana signage. Its mass and forward slant create urgency and momentum, while the slabs keep it grounded and authoritative. Overall it reads as confident, attention-grabbing, and a bit nostalgic.

This design appears intended to deliver a forceful, slanted slab-serif voice that signals motion and strength while staying highly legible. The squared construction and substantial serifs prioritize visibility and brand presence, evoking classic athletic and display typography.

The uppercase forms present a strong, poster-like presence with wide slabs and compact counters, while the lowercase keeps the same chunky logic with simple, sturdy joins. Numerals appear equally weighty and built for display clarity, with a consistent slanted stance across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸