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Serif Other Umne 2 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Hudson NY' by Andrew Footit, 'Kensmark' by BoxTube Labs, 'Basketball' by Evo Studio, 'Athletico Clean' by GRIN3 (Nowak), 'Base Runner JNL' by Jeff Levine, 'Forthland' by Uncurve, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, authoritative, ceremonial, historic, rugged, dramatic, impact, heritage, poster, display, angular, blocky, chiseled, compact, faceted.


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A compact, heavy blackletter-influenced serif with squared geometry and crisp, angled terminals. Strokes are consistently thick, with cut-in corners and notched joins that create a faceted, carved look across the alphabet. Counters are relatively tight and often rectangular, while the rhythm is dense and blocky, producing high impact at display sizes. The texture stays disciplined and vertical, with decorative spur-like serifs and occasional wedge-like feet that reinforce a forged, architectural character.

Best suited for display typography such as headlines, posters, packaging, signage, and logo-like wordmarks where a bold, traditional atmosphere is desirable. It can support themed applications like medieval or gothic-inspired branding, craft beverages, events, and editorial titles that benefit from a dense, textured typographic color. For longer passages, it will be most comfortable in larger sizes with generous spacing to offset the tight counters and strong texture.

The overall tone is assertive and ceremonial, with a strong, authoritative voice. It reads as historical and craft-driven rather than neutral, suggesting tradition, heritage, and a slightly dramatic flair. The sharp terminals and chiseled feel add a rugged, poster-like energy.

The design appears intended to deliver strong presence in short bursts of text, using a stylized serif construction that nods to blackletter and engraved forms without becoming fully calligraphic. Its consistent heaviness and cut corners suggest an aim for sturdy legibility and a distinctive, emblematic silhouette in headings and marks.

The lowercase set keeps the same squared, notched construction as the capitals, which helps maintain a uniform texture in mixed-case settings. Numerals share the same carved, block-like logic, supporting cohesive titling and numbering in display layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸