Outline Mihi 3 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, ui titles, packaging, futuristic, technical, minimal, neon, sci‑fi, futurist display, tech branding, neon outline, geometric clarity, geometric, monoline, rounded corners, inline detail, wireframe.
A geometric outline design built from monoline contours with squared forms softened by rounded corners. Many glyphs show a second, inset line or interior return at corners, creating a layered, wireframe-like construction rather than a single simple outline. Curves are largely squarish and controlled, with consistent stroke paths and clean terminals that often finish in short, squared caps. Proportions lean compact and engineered: uppercase forms are boxy and steady, while lowercase keeps a simple, linear structure with open counters and straightforward joins.
Best suited to display settings where the outline construction can be appreciated—posters, headlines, brand marks, and technology-leaning packaging. It can also work for UI or game titles and short labels, particularly when set larger or with ample tracking so the open forms and inset linework remain legible.
The font reads as futuristic and technical, evoking display lettering found in electronics, interface graphics, and retro sci‑fi titling. Its airy contours and internal line detailing suggest neon tubing or schematic drawings, giving it a sleek, engineered personality rather than a warm or traditional one.
The design appears intended to deliver a clean, contemporary outline voice with a distinctive inline/return detail that adds dimensionality without adding weight. Its consistent geometry and rounded-square curves aim for a modern, device-like aesthetic that stands out in short, high-impact typography.
Spacing appears even and modular in the samples, with crisp rhythm in all-caps and mixed-case lines. The outline construction and interior detailing reduce visual mass, so the design relies on size and contrast against the background to maintain clarity, especially where double-line features get close at corners.