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Sans Superellipse Kefi 2 is a very bold, normal width, monoline, italic, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Racon' by Ahmet Altun, 'Celluloid JNL' by Jeff Levine, 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, and 'Beachwood' by Swell Type (names referenced only for comparison).

Keywords: sports branding, headlines, posters, gaming, app ui, sporty, techy, futuristic, energetic, assertive, speed, impact, modernity, branding, oblique, extended terminals, rounded corners, tight apertures, chamfered joins.


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A heavy, forward-leaning sans with rounded-rectangle construction and consistently softened corners. Strokes are uniform in thickness, with many joins treated as crisp chamfers and terminals often cut on an angle, reinforcing the slanted momentum. Counters tend to be squarish and compact, and apertures are relatively tight, producing dense, blocky silhouettes. The uppercase reads wide and stable while the lowercase is similarly compact, with a single-storey “a” and “g” and a squared, looped “e”; numerals follow the same rounded-corner, cut-terminal logic for a cohesive set.

Best suited to logos, sports and esports identities, event graphics, gaming titles, and attention-grabbing headlines where the slant and weight can communicate motion and intensity. It can also work for short UI labels or product branding where a compact, technical voice is desired, but it is most effective at medium-to-large sizes rather than long-form reading.

The overall tone is fast, muscular, and contemporary—suggesting speed, competition, and a machine-made precision. Its angled cuts and superelliptical curves create a hybrid of sporty dynamism and tech-forward minimalism, leaning more aggressive than friendly despite the rounded corners.

The font appears designed to convey speed and strength through an oblique stance, angular trimming, and rounded-rectangle geometry. The consistent stroke weight and compact counters prioritize punchy readability and a cohesive, system-like feel across letters and numbers.

The design relies on a strong rhythm of rounded rectangles punctuated by diagonal trims, which helps maintain clarity at display sizes while keeping a distinctive silhouette. Spacing appears built for impactful headlines, with the bold mass and tight internal spaces creating a solid, poster-like presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸