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Free for Commercial Use

Serif Forked/Spurred Puba 3 is a bold, narrow, low contrast, upright, tall x-height font visually similar to 'Area' by Blaze Type, 'European Sans Pro' by Bülent Yüksel, 'Monotage' by Fargun Studio, and 'Knockout' by Hoefler & Co. (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, vintage, assertive, western, ornate, poster-like, display impact, heritage tone, signage flavor, decorative emphasis, bracketed serifs, spurred terminals, beaked ends, ink-trap feel, high waistlines.


Free for commercial use
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This typeface is a heavy, compact serif with pronounced bracketed serifs and distinctive forked/spurred terminals that create a slightly notched, carved look at joins and stroke endings. Strokes are broadly even, with minimal contrast, and the letterforms are built from sturdy verticals and tight counters that keep color dense on the line. Curves on rounds like O/C/S are firm and controlled rather than calligraphic, while many stems show small mid-height spurs and beak-like endings that add bite to the silhouette. Lowercase forms appear robust with short extenders and a large x-height, producing a strong, blocky rhythm in text and headlines alike.

It performs best in display sizes where the spurred terminals and sculpted serif details can be appreciated—headlines, poster typography, labels, and storefront-style signage. The dense texture and compact proportions also suit logos and short, emphatic copy where a traditional, bold voice is desired.

The overall tone is bold and old-fashioned, with a decorative, frontier-era energy that feels at home in heritage and display contexts. The spurs and forked terminals give it a slightly theatrical, showbill personality—confident, a bit rugged, and intentionally attention-grabbing.

The font appears designed to deliver a strong, historical display flavor through heavy construction and distinctive forked/spurred detailing, prioritizing impact and character over neutrality. Its compact rhythm and decorative terminals suggest an intent to evoke vintage print and wood-type-inspired signage aesthetics while remaining sturdy and legible in bold settings.

The design maintains a consistent, compact width across the alphabet, helping words form solid rectangular shapes. The numerals match the same heavy serif treatment, reading clearly as signage-style figures rather than delicate text numbers.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸