Sans Other Mylof 10 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Jazz Gothic' by Canada Type, 'Akkordeon' by Emtype Foundry, 'Bumper' by HVD Fonts, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, and 'Extenda' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, stickers, playful, punchy, rugged, retro, cartoony, display impact, handmade feel, novelty tone, poster clarity, brand personality, rounded corners, irregular edge, chunky, soft-square, high impact.
A chunky, soft-cornered sans with dense, blocklike forms and visibly irregular contours that feel slightly “hand-cut” or pressed rather than mechanically perfect. Strokes are heavy and fairly uniform, with tight interior counters and occasional notches and bite-like cut-ins that create a lively silhouette. Proportions skew compact in the lowercase with a large presence, while capitals remain broad and square-shouldered; overall spacing reads snug, emphasizing mass and rhythm over refinement.
Best suited for short, high-impact settings such as headlines, posters, branding marks, packaging labels, and playful display copy where texture and personality matter. It can also work for badges, stickers, and social graphics, especially at medium to large sizes where its rough edges read as intentional character.
The font projects a bold, friendly roughness—more playful than aggressive—evoking handmade signage, novelty packaging, and mid-century cartoon title energy. Its uneven edges add warmth and humor, giving text a tactile, stamped feel that stands out instantly.
The design appears intended as a characterful display sans that balances heavy weight with a handcrafted, slightly distressed outline. It prioritizes immediate visual impact and a distinctive silhouette, offering a lively alternative to cleaner geometric or grotesque display faces.
Small details like the chiseled-looking joins, narrow apertures, and simplified bowls contribute to a strong poster presence, but also reduce clarity at smaller sizes. Numerals and punctuation maintain the same chunky, irregular treatment, keeping the overall texture consistent across lines.