Sans Faceted Tyju 2 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Churchward Heading' by BluHead Studio, 'Stallman Round' by Par Défaut, and 'Competition' and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, branding, signage, sports, industrial, authoritative, retro, mechanical, condensed, space-saving, impact, sturdy geometry, display clarity, sign lettering, blocky, squared, angular, compact, poster-ready.
A compact, squared sans with tall proportions and tightly controlled counters. Strokes remain consistently heavy, while curves are largely replaced by planar, faceted turns and clipped corners, giving bowls and shoulders a chiseled, geometric feel. Terminals are blunt and rectangular, and the overall construction favors straight verticals with minimal modulation. Spacing appears tight and efficient, producing a dense rhythm that stays legible through crisp apertures and simplified internal shapes.
Best suited for headlines, posters, and branding where a tight, high-impact condensed voice is needed. It also fits wayfinding and signage-style applications, packaging callouts, sports or event graphics, and strong editorial display lines where compact width helps maximize characters per line.
The tone is forceful and utilitarian, with a mechanical, sign-like presence that reads as confident and no-nonsense. Its faceted geometry adds a subtle retro-industrial flavor, evoking engineered hardware, stamped lettering, and bold display titling rather than softness or elegance.
The design appears intended to deliver maximum visual punch in limited horizontal space, using a squared, faceted construction to keep shapes sturdy and reproducible. Its simplified geometry suggests a goal of consistent, industrial clarity across caps, lowercase, and figures in display contexts.
The numerals and uppercase forms maintain the same squared, cut-corner logic, creating a uniform texture across mixed text. At smaller sizes the dense weight and narrow structure may favor short lines, while larger settings amplify the strong silhouette and graphic impact.