Sans Superellipse Olruj 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Morgan Tower' by Feliciano, 'Fresno' by Parkinson, and 'FTY Strategycide' by The Fontry (names referenced only for comparison).
Keywords: posters, headlines, logotypes, packaging, signage, industrial, retro, assertive, condensed, sporty, space saving, high impact, geometric unity, signage feel, retro display, squared, rounded corners, monoline, compact.
A condensed, heavy sans with a squared-off, rounded-rectangle construction throughout. Strokes are monoline and dense, with softened corners and flat terminals that keep the forms compact and tightly packed. Curves are handled as squared bowls and superelliptic arcs (notably in C, G, O, and 0), while straight-sided letters like H, N, and U emphasize a vertical, modular rhythm. Counters are narrow and often rectangular, producing a strong black presence and crisp internal shapes; diagonals (K, V, W, X) are simplified and sturdy to match the blocky geometry.
Best suited for display typography where impact and tight horizontal economy matter: posters, headlines, branding marks, packaging panels, and short signage text. It can also work for labels or UI callouts when a compact, industrial look is desired, but its dense forms and narrow counters favor larger sizes over long reading.
The overall tone is bold and utilitarian, with a retro-industrial flavor reminiscent of stenciled signage, scoreboard lettering, and machine-era labeling. Its compact proportions and squared curves create an energetic, no-nonsense voice that reads as confident and attention-seeking.
Likely designed to deliver maximum visual weight in minimal width while maintaining a clean, geometric structure. The repeated rounded-rectangle forms suggest an intention to evoke industrial and retro display lettering with a consistent, modular rhythm across letters and numerals.
The design relies on repetition of rounded-rectangle motifs for bowls and joints, creating a highly consistent texture in lines of text. Numerals follow the same condensed, squared logic, pairing well with uppercase for technical or display-driven settings.