Serif Other Lylak 2 is a bold, normal width, high contrast, upright, tall x-height font.
Keywords: headlines, posters, titles, branding, packaging, gothic, dramatic, theatrical, vintage, ceremonial, display, impact, ornament, period flavor, brand voice, angular, chiseled, faceted, wedge serif, ornamental.
A high-contrast serif display face with strongly sculpted strokes and wedge-like terminals that often read as cut or chiseled. Curves are tense and geometric, with pointed inner notches and angular joins that create a faceted, spiky rhythm across words. The letterforms lean toward narrow apertures and prominent vertical emphasis, while the capitals carry a heraldic, inscriptional gravity. Numerals match the same cut-in, dramatic construction, keeping the texture dense and graphic at text sizes.
Best suited for display settings where character is the goal: headlines, posters, book or album covers, title sequences, and packaging that benefits from a historic or theatrical tone. It can work well for branding in areas like pubs, artisan goods, festivals, or fantasy/folklore themes, especially when set large with comfortable spacing. For extended body copy or small UI text, its dense texture and sharp details are likely to feel heavy and busy.
This typeface projects a dramatic, old-world tone with a theatrical edge. Its sharp, carved-looking details and bold black presence feel ceremonial and slightly eccentric, suggesting something Gothic, folkloric, or vintage. Overall, the mood is assertive and ornamental rather than neutral or purely utilitarian.
The design appears intended to deliver strong personality and instant recognition through carved, wedge-serif detailing and high-contrast structure. Its sharp internal cuts and angular modulation prioritize graphic texture and atmosphere, aiming for a distinctive period-inflected voice rather than transparent readability in long passages.
Across the alphabet, repeated triangular cuts and wedge terminals create a consistent, carved motif that gives words a jagged sparkle in negative space. The texture is notably dark and compact, with distinctive internal shapes (particularly in round letters) that become a key part of the visual identity.