Sans Normal Regen 13 is a bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Letter Gothic 12 Pitch' by Bitstream, 'FF Letter Gothic Mono' by FontFont, 'Cindie Mono' by Lewis McGuffie Type, 'Letter Gothic 12 Pitch' and 'New Letter Gothic' by ParaType, 'Letter Gothic 12' by Tilde, and 'Biphoton' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, labels, industrial, utilitarian, retro, robust, playful, impact, clarity, durability, uniformity, retro feel, rounded corners, boxy, compact, sturdy, softened.
A heavy, monoline sans with square-leaning geometry and generously rounded corners. Curves are simplified into sturdy arcs, while straight strokes end in softly squared terminals, giving the face a blocky but friendly silhouette. Counters are compact and fairly uniform across the set, and the overall rhythm is steady and mechanical, reinforced by consistent stroke thickness and tightly controlled proportions. Numerals and capitals read as solid, sign-like shapes with minimal modulation and a slightly condensed feel within each glyph cell.
Well suited to bold headlines, posters, and short blocks of copy where a strong, even texture is desirable. It also fits packaging, labeling, and signage applications that benefit from a rugged, industrial aesthetic with friendly rounding. In longer text, it will create a dense, emphatic tone best used sparingly or at comfortable sizes.
The tone is practical and workmanlike, with a distinctly retro, industrial flavor. Its softened corners keep the voice approachable, but the overall mass and squareness communicate durability and blunt clarity. It suggests labeling, equipment markings, and straightforward messaging rather than delicate or luxurious settings.
The design appears intended to deliver high-impact legibility with a simplified, rounded-rectilinear construction that feels engineered and consistent. Its forms prioritize uniformity and sturdiness, aiming for a clear, functional voice that also carries a vintage, utilitarian character.
The design favors simplified joins and broad interior spaces that stay open at display sizes, while smaller apertures (notably in some lowercase forms) create a compact, dense texture in text. Round letters lean toward squared ovals, and diagonals keep a firm, engineered stance, contributing to a uniform, no-nonsense color on the line.