Distressed Ubna 5 is a bold, narrow, high contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Bebas Neue Pro' by Dharma Type, and 'Redgar' by Graphite (names referenced only for comparison).
Keywords: posters, headlines, logotypes, packaging, labels, gritty, vintage, rugged, industrial, handmade, impact, aging effect, tactile print, editorial punch, retro signpaint, condensed, inked, roughened, weathered, textured.
A condensed, heavy display face with sturdy vertical stems and compact proportions. Letterforms are mostly upright with simplified, blocky construction and slightly rounded corners. The defining feature is a consistent distressed texture: edges look abraded and interiors show irregular bite marks and speckling, like worn letterpress or dry-ink printing. Counters are relatively tight, joins are firm, and stroke endings tend to be blunt, creating a dense, poster-ready rhythm across both uppercase and lowercase. Figures follow the same compact, weighty build with matching roughness for coherent titling and numbering.
Well suited for posters, headlines, and large-format typographic statements where the distressed detailing can be appreciated. It also fits branding elements such as logotypes, packaging, labels, and merchandise graphics that benefit from a rugged, printed-on-paper feel.
The overall tone feels tough and timeworn, evoking utilitarian signage, stamped packaging, and worn print ephemera. Its distressed surface adds a handmade, tactile character that reads as authentic, gritty, and slightly rebellious rather than polished.
The design appears intended to deliver a compact, high-impact voice while simulating imperfect production—worn ink, rough stock, or aged printing—without sacrificing the underlying solidity of the forms. It prioritizes atmosphere and texture for display use over neutrality.
Texture is strong enough to become part of the letter identity, so it will visually intensify on dark backgrounds or at larger sizes. In longer lines, the dense weight and abrasion can create a busy texture, making it best suited to short bursts of text where the roughness reads as intentional atmosphere.