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Solid Fiti 2 is a very bold, narrow, medium contrast, reverse italic, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok and 'Knicknack' by Great Scott (names referenced only for comparison).

Keywords: posters, headlines, stickers, album art, comics, playful, goopy, cartoonish, rowdy, diy, impactful display, expressive texture, handmade feel, silhouette focus, blobby, soft-edged, smudgy, chunky, handmade.


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A heavy, blobby display face with irregular, swollen strokes and consistently softened edges. Counters are largely collapsed or reduced to small slits and pinholes, producing solid silhouettes with a strong inked presence. The shapes feel hand-formed rather than geometric, with uneven terminals, lumpy curves, and a slightly jittery baseline rhythm that creates a lively, imperfect texture across words. Letter widths and internal spacing vary noticeably, emphasizing an organic, cutout-like construction and dense word images.

Best used for large-scale display settings such as posters, event flyers, packaging callouts, sticker-style graphics, and short punchy headlines. It also suits entertainment-oriented branding, album or merch graphics, and comic or game UI moments where an intentionally messy, characterful voice is desired.

The overall tone is playful and mischievous, with a gooey, cartoon-influenced attitude. Its inky, smudged forms read as energetic and a bit unruly—more suited to expressive impact than refinement. The collapsed interiors add a bold, poster-like punch that can feel humorous, spooky, or slimey depending on color and context.

The design appears intended to deliver maximum visual impact through solid, counter-minimized forms and an intentionally irregular, hand-made rhythm. It prioritizes expressive silhouette and personality over conventional clarity, aiming for a bold novelty texture that feels like wet ink, clay, or melted lettering.

At smaller sizes the reduced counters and tight internal apertures can cause letters to merge visually, so it benefits from generous sizing and relaxed tracking. The silhouette-driven design makes it particularly effective in high-contrast color treatments or simple compositions where shape recognition is prioritized over fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸