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Free for Commercial Use

Sans Other Reboy 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'ATF Headline Gothic' by ATF Collection, 'XXII DONT MESS WITH VIKINGS' by Doubletwo Studios, 'POLIGRA' by Machalski, 'Raskolnikov' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, signage, industrial, poster, assertive, quirky, retro, impact, compression, distinctiveness, industrial tone, condensed, blocky, angular, stencil-like, chiseled.


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A condensed, blocky sans with heavy vertical emphasis and sharply angular geometry. Strokes are mostly monolinear, but terminals and joins show deliberate nicks, notches, and wedge-like cuts that create a carved, stencil-adjacent feel without fully breaking the forms. Counters tend to be small and rectangular, apertures are tight, and curves are largely minimized in favor of straight-sided bowls and faceted diagonals. The lowercase keeps a tall, compact build, with simple single-storey forms and short, square punctuation that matches the rigid rhythm.

Best used for headlines, posters, branding marks, and short bursts of copy where the chiseled construction can be appreciated. It can work well on packaging and signage that benefits from an industrial or retro edge, especially when set large with generous tracking and plenty of contrast against the background.

The overall tone is forceful and gritty, with a mechanical, cut-metal personality. The irregular, chiseled details introduce a slightly unruly, DIY character that reads as retro-industrial rather than neutral modern. It feels attention-seeking and bold, suited to high-impact messaging.

The design appears intended to deliver maximum impact in a compact width while adding distinctive, carved-in details for instant recognizability. Its construction prioritizes strong silhouette and a mechanical rhythm over comfortable long-form readability.

In text, the narrow set and tight internal space make spacing and wordshape feel dense; the design’s signature notches become more prominent at larger sizes. Numerals follow the same squared, compressed construction, reinforcing a utilitarian, display-first voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸