Sans Superellipse Woby 3 is a very bold, very wide, medium contrast, upright, normal x-height font.
Keywords: headlines, logotypes, posters, sports branding, gaming ui, futuristic, techno, sporty, industrial, confident, impact, modernity, tech aesthetic, brand presence, display clarity, rounded corners, squared curves, geometric, streamlined, blocky.
A heavy, geometric sans with superellipse-driven curves and rounded-rectangle counters. Strokes are consistently thick with blunt terminals, generous corner radii, and a slightly squared, engineered feel rather than purely circular geometry. Letterforms are wide and stable, with compact apertures and counters that read as soft-edged rectangles; diagonals (V, W, X, Y, Z) are crisp and angular, contrasting with the smoothed curves of O, Q, and C. The overall texture is dense and even, producing a strong, continuous typographic “band” in text settings.
Best suited for display typography where impact and a futuristic/industrial character are desired: headlines, posters, packaging titles, team or event branding, and gaming or tech interface accents. It can work for short blocks of text at larger sizes, but its dense counters and heavy mass favor prominent, high-contrast layout roles.
The font projects a modern, high-impact tone that feels technical and performance-oriented. Its soft-cornered geometry suggests contemporary hardware, sci‑fi interfaces, and motorsport branding—assertive and efficient rather than friendly or literary.
The design appears intended to deliver a strong, contemporary voice through superelliptical construction: combining softened corners for a modern feel with wide, engineered proportions for presence. The consistent stroke weight and compact apertures emphasize solidity and speed, aiming for immediate recognition in branding and bold display contexts.
Distinctive details include a squared, rounded-corner ‘O’ and ‘Q’ with a compact tail, a broad-shouldered ‘S’ with horizontal emphasis, and numerals that echo the same rounded-rectangle logic (notably the stacked, bar-like forms in 2, 3, 5, and 9). The spacing appears tuned for bold display use, with tight internal spaces balanced by clear outer sidebearings, keeping lines cohesive at large sizes.