Sans Faceted Life 4 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio (names referenced only for comparison).
Keywords: headlines, logos, posters, game ui, branding, techno, futuristic, industrial, gaming, machine-like, sci‑fi voice, industrial edge, display impact, systematic geometry, angular, faceted, chamfered, octagonal, geometric.
A geometric sans built from straight strokes and clipped corners, replacing curves with crisp facets and chamfered joins. Counters are largely rectangular or octagonal, producing a boxed-in rhythm with consistent stroke thickness and sharp terminals. Uppercase forms feel sturdy and architectural, while the lowercase keeps the same hard-edged construction with simplified bowls and angled shoulders. Numerals follow the same modular logic, with squared shapes and strategic cut-ins that maintain clarity at display sizes.
This face performs best in headlines, logos, posters, and interface-style graphics where its faceted construction can be appreciated. It suits game UI, tech branding, and product or device graphics that benefit from a crisp, angular texture, and it can add an assertive edge to short blocks of display text.
The overall tone is futuristic and engineered, evoking sci‑fi interfaces, hardware labeling, and arcade-era display aesthetics. Its sharp angles and planar cuts give it a tactical, utilitarian feel that reads as confident and technical rather than friendly or calligraphic.
The design appears intended to translate a geometric, industrial language into a practical sans, using systematic corner chamfers and straight-sided counters to create a cohesive sci‑fi/display voice. Its consistent faceting suggests a focus on a unified, machine-cut aesthetic across letters and numerals.
Diagonal cuts appear repeatedly at outer corners and some inner joints, creating a consistent “machined” texture across the alphabet. The design prioritizes graphic impact and silhouette over softness, making spacing and texture feel deliberate and slightly condensed in spirit even when letterforms remain broadly proportioned.