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Free for Commercial Use

Sans Normal Liliy 7 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Sole Sans' by CAST, 'Miura' by DSType, 'FF Good' by FontFont, 'Polin Sans' by Machalski, 'Kommon Grotesk' by TypeK, and 'Jane Roe' by deFharo (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, social ads, sporty, energetic, assertive, contemporary, playful, impact, motion, branding, display, attention, slanted, compact, rounded, chunky, punchy.


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This typeface is a heavy, slanted sans with compact proportions and strongly rounded curves. Strokes are thick and consistent, with softened terminals and broad, simple counters that keep forms open at display sizes. The italic angle is pronounced, giving letters a forward lean and a tight, urgent rhythm; diagonals and joins are sturdy rather than delicate. Numerals and capitals read as blocky and confident, while the lowercase maintains a clear, upright skeleton within the overall slant, producing a cohesive, high-impact texture in text.

Best suited to short, high-visibility copy such as headlines, posters, and campaign graphics where the slant and weight can do the work. It also fits sports and lifestyle branding, punchy packaging callouts, and social media advertising that needs quick, bold recognition. In longer text blocks it will remain legible but will read dense and emphatic, making it more effective for display-led layouts than body copy.

The overall tone is bold and kinetic, with a forward-leaning stance that feels sporty and attention-grabbing. Its rounded, chunky construction adds friendliness and approachability, keeping the voice lively rather than severe. The result is a modern, assertive look that suggests motion and momentum.

The design appears intended to deliver maximum impact with minimal detail: thick, rounded construction for immediacy, paired with a strong italic posture to suggest speed and drive. It prioritizes bold presence and clear silhouettes over subtle modulation, aiming for contemporary, energetic branding and display use.

The sample text shows strong word-shape contrast driven by the italic angle and dense spacing, creating a loud typographic color. Curves dominate (notably in C, G, O, S, and the numerals), and the design avoids sharp finishing details in favor of smooth, simplified forms that emphasize impact.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸