Sans Normal Adkod 12 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Mensa' by AVP, 'Ricardo' by Bureau Roffa, 'Ninova' by Fontuma, 'Krong' by Joelmaker, 'Clear Sans' by Positype, 'Core Sans N SC' by S-Core, and 'Glot' by Wordshape (names referenced only for comparison).
Keywords: ui text, editorial, brand identity, signage, presentations, modern, clean, friendly, dynamic, utilitarian, legibility, modernity, forward motion, neutral emphasis, clarity, oblique, open apertures, rounded forms, soft corners, generous spacing.
A slanted sans with a broad, open stance and smooth, low-contrast strokes. Round letters lean on near-circular bowls (notably in O, Q, and 0), while terminals are clean and unadorned, keeping the outlines crisp. Counters are roomy and apertures stay open in letters like c, e, and s, supporting clarity at display and text sizes. The overall rhythm is steady and even, with straightforward construction and minimal modulation across curves and diagonals.
This font suits user interfaces and product copy where an oblique voice adds emphasis without sacrificing clarity. It performs well in editorial subheads, modern brand systems, and wayfinding or signage that benefits from open shapes and strong readability. It can also serve in presentations and marketing materials as a clean, contemporary italic for callouts and highlight text.
The tone is contemporary and approachable, combining a functional, no-nonsense structure with the energetic push of an oblique angle. It reads as confident and efficient rather than decorative, with a friendly softness coming from its rounded forms and open counters.
The design appears aimed at a practical, modern sans with an integrated oblique style—prioritizing legibility through open counters and simple geometry while adding motion and emphasis via the consistent slant. The wide proportions and clean terminals suggest a focus on clear, contemporary communication across a range of everyday applications.
The italic slant is consistent across uppercase, lowercase, and figures, giving lines of text a cohesive forward motion. Numerals are simple and legible, and the rounded zero sits comfortably alongside the letterforms. The fit feels relatively generous, reinforcing an airy texture in paragraphs and making short headlines feel expansive.