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Free for Commercial Use

Sans Normal Budiz 5 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Avenir Next', 'Avenir Next Arabic', 'Avenir Next Cyrillic', 'Avenir Next Georgian', 'Avenir Next Hebrew', 'Avenir Next Paneuropean', 'Avenir Next Thai', and 'Avenir Next World' by Linotype and 'URW Grotesk' by URW Type Foundry (names referenced only for comparison).

Keywords: ui text, body text, signage, presentations, branding, clean, neutral, modern, friendly, efficient, legibility, utility, versatility, clarity, geometric, monoline, open apertures, rounded forms, crisp terminals.


Free for commercial use
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This typeface is a clean, monoline sans with broadly geometric construction and gently rounded curves. Strokes maintain an even color with smooth joins, and terminals are mostly straight or softly rounded rather than flared. Capitals are simple and well-proportioned with wide, open counters; the lowercase follows a straightforward, contemporary skeleton with a two-storey “a” and an open “e.” Numerals are clear and sturdy, with round forms that echo the letter shapes and consistent stroke endings that keep the rhythm even in running text.

It suits interface copy, product documentation, and general-purpose body text where consistent texture and quick scanning matter. The clear numerals and simple uppercase make it a good choice for signage, charts, and presentation slides, while its neutral personality can support restrained branding and corporate materials.

The overall tone is neutral and modern, leaning practical and approachable rather than stylized. Its restrained geometry and even rhythm create a straightforward, businesslike voice that still feels friendly and calm.

The font appears designed as a dependable, general-purpose sans that prioritizes clarity and consistency across mixed-case text and numerals. Its geometric leaning and restrained detailing suggest an intention to provide a modern, versatile voice that stays out of the way in everyday typographic settings.

The design reads with high clarity at text sizes due to open counters and uncomplicated forms. Circular letters like O/Q/C feel smooth and balanced, while diagonals in V/W/X/Y provide crisp structure without adding sharpness to the overall texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸