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Free for Commercial Use

Solid Umza 4 is a very bold, narrow, medium contrast, upright, tall x-height font.

Keywords: posters, headlines, logos, signage, game ui, industrial, brutalist, arcade, stenciled, mechanical, impact, machined feel, retro-tech, silhouette-led, space economy, blocky, angular, chamfered, compact, hard-edged.


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A compact, block-built display face with heavy rectangular strokes and frequent chamfered corners that create an octagonal silhouette across many forms. Counters are minimal and often reduced to small slits or wedges, producing dense, nearly solid lettershapes with strong black coverage. Geometry is mostly straight and orthogonal with occasional diagonals in joins and terminals; curves are simplified into faceted arcs (notably in rounded letters), keeping a rigid, machined rhythm. Spacing and widths vary by glyph, but the overall texture remains tightly packed and uniform in color, favoring legibility through silhouette more than internal detail.

Best suited for short, high-impact settings such as posters, title treatments, logos, packaging callouts, and bold signage. It also works well for game interfaces or retro-tech themed graphics where dense, modular forms are an asset. For extended reading or small UI text, the minimal counters may reduce clarity, so larger sizes and generous spacing are recommended.

The font conveys a tough, utilitarian tone with a retro-tech and arcade-like edge. Its heavy, faceted shapes feel engineered and assertive, suggesting signage, industrial labeling, or game UI aesthetics. The collapsed interiors and sharp corners add a slightly secretive, coded, or dystopian flavor.

The design appears intended to deliver maximum visual impact through near-solid forms and faceted geometry, creating a distinctive silhouette-driven alphabet. By compressing interior space and using chamfered corners, it aims for an engineered, industrial presence that reads as both retro and mechanical.

At text sizes the reduced counters can cause characters with similar silhouettes to converge, while at larger sizes the chamfers and cut-ins become a defining stylistic motif. The design maintains a consistent hard-edged language across capitals, lowercase, and numerals, emphasizing mass and shape over calligraphic nuance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸