Sans Faceted Tydi 11 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Forza' by Hoefler & Co., 'Navine' by OneSevenPointFive, and 'Purista' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, logos, signage, labels, industrial, futuristic, technical, sturdy, mechanical, impact, sci-fi feel, machined geometry, signage clarity, branding edge, angular, faceted, chiseled, blocky, squared.
A compact, heavy sans with squared proportions and faceted, planar shaping in place of smooth curves. Corners are frequently clipped or beveled, producing octagonal counters and a machined silhouette, while strokes stay largely uniform with minimal modulation. The geometry favors straight segments, flattened terminals, and boxy bowls, with tight apertures and firm joins that keep the texture dense. Numerals and capitals feel especially rigid and engineered, while the lowercase maintains the same angular logic for a consistent, utilitarian rhythm.
Best suited to display use where the angular construction can be appreciated: headlines, posters, branding marks, packaging labels, and environmental or wayfinding signage. It also fits UI or motion-graphics themes that lean toward industrial, cyber, or technical aesthetics, and works well for short blocks of text when set with comfortable tracking.
The overall tone is industrial and futuristic, evoking fabricated signage, equipment labeling, and sci‑fi interface typography. Its hard edges and cut corners give it a confident, no-nonsense presence that reads as technical rather than friendly or expressive.
Designed to deliver a robust, engineered look by replacing curves with crisp facets and beveled corners, creating a distinctive silhouette that stays consistent across cases and numerals. The intention appears to be strong visual impact and immediate thematic signaling—mechanical, modern, and built-to-last—rather than softness or calligraphic nuance.
The faceting introduces a slightly hand-cut, chiseled quality even though the construction remains geometric and systematic. In longer text, the compact shapes and tight openings create a strong, dark typographic color that benefits from generous spacing and clear size hierarchy.