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Sans Superellipse Honoh 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bunken Tech Sans' by Buntype, 'Digital Sans Now' by Elsner+Flake, 'Evanston Tavern' by Kimmy Design, and 'Obvia' by Typefolio (names referenced only for comparison).

Keywords: headlines, logos, posters, packaging, sports branding, techy, industrial, sporty, retro, assertive, impact, modernity, utility, tech branding, display clarity, blocky, rounded, square, compact, sturdy.


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A heavy, geometric sans built from squared forms with generous corner rounding, giving many letters a rounded-rectangle silhouette. Strokes are monolinear with blunt terminals and clean, mechanical joins; counters tend to be squarish and compact, emphasizing a dense, high-impact texture. Curved letters like C, G, O, Q, and S read as softened boxes rather than circles, while diagonals (A, K, V, W, X) are crisp and angular. The lowercase follows the same constructed logic, with mostly single-storey forms and simplified bowls, producing a consistent, modular rhythm across text.

This font is well suited to headlines, branding, and short, high-impact messaging where its blocky rounded geometry stays distinctive. It also works well for packaging, badges, team or event graphics, and UI-style labels where a sturdy, engineered look is desired. For longer text, it’s most effective at larger sizes or with ample tracking to offset the compact counters.

The overall tone feels engineered and performance-minded—confident, loud, and utilitarian. Its rounded-square geometry suggests a contemporary tech interface or athletic branding, with a slight retro arcade/scoreboard flavor due to the squarish curves and compact counters.

The design appears intended to deliver a bold, modern geometric voice with softened corners—combining the authority of a block sans with the friendliness and durability implied by rounded-square forms. The consistent modular construction suggests a focus on legibility in display settings and strong visual identity in branding contexts.

The numerals mirror the uppercase’s rounded-rect structure, creating a cohesive set for data-heavy display. In paragraphs, the dense color and tight interior spaces make it feel best suited to larger sizes where the boxy counters and distinctive shapes can breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸