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Sans Other Onti 9 is a very bold, very wide, monoline, upright, normal x-height font visually similar to 'Memory Square' by Beware of the moose, 'HK Modular' by Hanken Design Co., 'Imagine Font' by Jens Isensee, and 'Architype Van Doesburg' by The Foundry (names referenced only for comparison).

Keywords: headlines, posters, logotypes, game ui, tech branding, techno, arcade, industrial, sci-fi, geometric, futuristic display, modular construction, high impact, ui clarity, square, angular, octagonal, stencil-like, modular.


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A blocky, modular sans built from straight strokes and hard corners, with frequent 45° chamfers that carve the counters and terminals into octagonal shapes. Curves are largely avoided in favor of squared geometry, producing rectangular bowls and sharply notched joins. The design keeps stroke thickness consistent while letting glyph widths and interior spaces vary, creating a punchy, constructed rhythm across words. Counters tend to be compact and boxy, and many forms use cut-ins and stepped details that emphasize a pixel-adjacent, engineered feel.

Best suited for display settings such as headlines, titles, posters, packaging accents, and logo/wordmark work where its angular construction can dominate. It also fits on-screen contexts like game UI, sci‑fi interface graphics, and tech-themed branding, especially at medium-to-large sizes where the squared counters remain clear.

The overall tone is retro-futuristic and game-like, evoking arcade UI, sci‑fi interfaces, and industrial labeling. Its rigid geometry and heavy presence read as assertive, mechanical, and intentionally synthetic rather than friendly or organic.

The font appears designed to deliver a constructed, futuristic display voice using modular, chamfered geometry. Its forms prioritize bold silhouettes and a consistent techno rhythm, suggesting an intent for impactful branding and screen-forward typography rather than long-form reading.

The distinctive chamfering and squared apertures make the alphabet highly stylized, with an emphasis on silhouette recognition over conventional text softness. The sample text shows strong line presence and a tight, mechanical cadence that benefits from generous size and spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸