Sans Superellipse Omdom 18 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Festivo Letters' by Ahmet Altun, 'Noctura Georgia' by Ergibi Studio, 'Corner Deli' and 'Perfume' by Fenotype, and 'Antiquel' by Lemonthe (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, industrial, condensed, assertive, utilitarian, modern, space saving, impact, clarity, modernization, uniformity, rounded corners, square-leaning, compact, high-contrast (shape), sturdy.
A compact, condensed sans with uniform stroke thickness and a squared, superellipse construction throughout. Curves resolve into rounded-rectangle corners rather than true circles, giving counters a boxy softness and a consistent geometric rhythm. Terminals are clean and blunt, with minimal modulation and tight internal spacing that keeps the texture dense. The lowercase shows a tall x-height with short ascenders/descenders, and the overall proportions favor verticality and tight set width; figures match the same compact, blocky geometry.
Well-suited to headlines, posters, and bold typographic statements where a condensed footprint and strong color are beneficial. It can also work for packaging, labels, and signage that need an efficient, space-saving voice with a modern geometric character.
The tone is forceful and functional, combining a modern industrial feel with a slightly retro sign-lettering solidity. Its rounded-square shapes keep it friendly enough for branding, while the condensed massing reads as urgent, efficient, and space-conscious.
This design appears intended to deliver maximum impact in minimal horizontal space, using rounded-rectangle geometry and consistent stroke weight to create a cohesive, industrial-modern texture. The tall x-height and compact counters support quick recognition and a punchy presence in display settings.
Round letters such as O/C/G read more like rounded rectangles, while straight-sided forms (H, N, M, E) emphasize a sturdy, engineered presence. The dense color and compact apertures suggest stronger performance at larger sizes or in short bursts of text where impact is prioritized over airy readability.