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Sans Superellipse Omdom 19 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Cream Opera' by Factory738, 'Hops And Barley' by Fenotype, 'Armetica' by Hsan Fonts, 'Informational Gothic JNL' by Jeff Levine, 'Agharti' by That That Creative, and 'Merchanto' by Type Juice (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, industrial, authoritative, condensed, modern, poster-ready, space-saving, display impact, modern utility, systematic geometry, squared, rounded corners, compact, high-contrast color, blocky.


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A compact, condensed sans with heavy, even stroke weight and softly squared geometry. Curves resolve into rounded-rectangle forms, giving letters like O/C/G a superelliptical feel, while terminals are clean and blunt. Counters are relatively tight and apertures are small, creating a dense rhythm that holds together well at display sizes. The lowercase is straightforward and sturdy, with minimal modulation and little calligraphic influence; punctuation and figures follow the same blocky, rounded-corner logic for a cohesive texture.

Best suited to headlines, posters, and signage where a condensed, high-impact word shape is an advantage. It also fits packaging, labels, and branding systems that want a modern industrial feel with consistent, rounded-rectangular letterforms. For longer reading, it will be more comfortable at larger sizes due to its dense interior spaces.

The overall tone is strong and utilitarian, with an industrial, no-nonsense voice. Its compressed proportions and squared rounding read as contemporary and functional, leaning toward signage and headline energy rather than friendly text warmth.

Likely designed to deliver maximum impact in minimal horizontal space while maintaining a cohesive, rounded-square construction across the alphabet and numerals. The intent appears focused on bold, practical display typography that stays crisp and controlled in graphic layouts.

The design emphasizes verticality and compact spacing, producing a tall, packed silhouette in words and a clear, punchy presence in single-letter settings. The rounded-square construction helps keep forms distinct despite tight counters, reinforcing legibility in short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸