Font Hero

Free for Commercial Use

Sans Other Poby 8 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Resiliency3' by Alphabet Agency, 'Moho' by John Moore Type Foundry, 'Stallman Round' by Par Défaut, and 'Delgos' by Typebae (names referenced only for comparison).

Keywords: sports branding, gaming titles, poster headlines, team jerseys, tech packaging, aggressive, futuristic, sporty, industrial, tactical, high impact, space saving, speed cue, tech edge, display focus, angular, condensed, slanted, blocky, chiseled.


Free for commercial use
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This typeface is built from dense, block-like strokes with a consistent weight and a pronounced forward slant. Letterforms are tightly condensed with squared counters and sharp, angular terminals, often finished with cut-in notches and beveled corners that create a faceted, engineered feel. Curves are minimized in favor of straight segments and geometric joins, giving the alphabet a rigid rhythm; shapes like O/Q/0 read as squared ovals, while diagonals in A/K/R/X are steep and compact. Spacing appears fairly tight in text, reinforcing a compressed, high-impact texture.

Best suited for large-scale display work where its angular details and compressed presence can read clearly—such as sports identities, gaming and esports titles, action posters, product marks, and tech or industrial packaging. It can also work for short UI labels or overlays when you want a hard-edged, high-energy voice, but it is less appropriate for long-form text.

The overall tone is forceful and kinetic, with a sporty, action-forward attitude. Its hard angles and chiseled details evoke machinery, sci‑fi interfaces, and competitive branding rather than neutral editorial voice. The slant and compact proportions contribute to a sense of speed and urgency.

The design appears intended to deliver maximum impact in limited horizontal space while projecting speed and toughness. Its faceted terminals and squared counters suggest a deliberately engineered aesthetic aimed at attention-grabbing headlines and brand marks with an industrial or futuristic edge.

Some glyphs show deliberate stencil-like cutaways and asymmetric shaping that emphasize motion and prevent forms from feeling static. Numerals match the same faceted construction, with squarish bowls and strong diagonals, keeping headings visually consistent across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸